Liarou, Eleni (2017) From the docks to Notting Hill: cinematic mappings of imperial and post-imperial London. In: Hirsch, P. and O'Rourke, C. (eds.) London on Film. Screening Spaces. Palgrave Macmillan, pp. 87-101. ISBN 9783319649788.
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Abstract
Focussing on the careers of Paul Robeson and Earl Cameron, this chapter examines a selection of films set in London in the mid-twentieth century. It offers a comparative and textual analysis of the representational spaces these two very different actors inhabited in their films. This approach cuts across traditional chronologies of British cinema history to shed light on dynamic processes of cross-cultural exchange and shifting definitions of black stardom.
Metadata
| Item Type: | Book Section |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Depositing User: | Eleni Liarou |
| Date Deposited: | 24 May 2022 05:46 |
| Last Modified: | 09 Aug 2023 12:53 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/48222 |
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