Guardiola-Rivera, Oscar (2022) Slow-mo: the violent art of Oscar Murillo. Law and Humanities 16 (2), pp. 252-280. ISSN 1752-1483.
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Abstract
This essay explores Afro-Colombian artist Oscar Murillo’s practice and process as an instance of ‘fantastic critique’. Animated by an ongoing exchange between the artist and the author about art & human rights, trade and place, protest and action, including the 2021 General strike in Colombia, it aims to situate emerging notions of justice in the intersection between artistic practices and ethical-political acts, asking if and how art can engage with questions of the violence of race and class in the twenty-first century.
Metadata
| Item Type: | Article |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Business and Law > Birkbeck Law School |
| Research Centres and Institutes: | Law and the Humanities, Centre for |
| Depositing User: | Oscar Guardiola-Rivera |
| Date Deposited: | 15 Dec 2022 06:40 |
| Last Modified: | 19 Mar 2024 01:10 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/50212 |
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