Edwards, Steve (2024) Family phantasmagoria: Antoine Claudet, stereographs, and middle-class dummies. Oxford Art Journal , ISSN 0142-6540. (Submitted)
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Official URL: https://academic.oup.com/oaj
Abstract
Exploring vision, stereoscopy and phantasmagoria in nineteenth-century Britain, this essay argues that photographer Antoine Claudet used enhanced optical distance to render the middle class substantial. Drawing on history of science and social theories of fetishism I account for Claudet's spectacularly succesful stereo daguerreotypes of middle-class families.
Metadata
Item Type: | Article |
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School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
Depositing User: | Steve Edwards |
Date Deposited: | 22 Oct 2024 12:43 |
Last Modified: | 22 Oct 2024 12:43 |
URI: | https://eprints.bbk.ac.uk/id/eprint/54375 |
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