Di Bello, Patrizia (2011) Elizabeth Thompson and ‘Patsy’ Cornwallis West as Carte-de-visite celebrities. History of Photography 35 (3), pp. 240-249. ISSN 0308-7298.
Abstract
This essay places Elizabeth Thompson's (later Lady Butler, 1846–1933) sensational success at the 1874 Royal Academy exhibition, and the negotiations over the sale of copyrights of her work, in the context of an art world being reconfigured by the commercialisation and the commodification of images, including those by and of women. It shows how photography – in particular, carte-de-visite portraits of artists – played an important role in this burgeoning market, and in the new laws required to regulate it. It uses the later example of Mary (‘Patsy’) Cornwallis West (née Fitzpatrick, 1858–1920) to illuminate Thompson's unease at being photographed; the confusion concerning copyright laws and the sale of photographic portraits to the public; and the ambivalent fascination of the time with photographs of women celebrities as ‘professional beauties’.
Metadata
| Item Type: | Article |
|---|---|
| Keyword(s) / Subject(s): | Elizabeth Thompson, Lady Butler (1846–1933), Mary (‘Patsy’) Cornwallis West (1858–1920), 1862 ‘Fine Arts Copyright Act’, women artists, nineteenth-century celebrity culture, carte-de-visite, copyright of photographs, professional beauties, The Roll Call |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
| Research Centres and Institutes: | Nineteenth-Century Studies, Centre for |
| Depositing User: | Administrator |
| Date Deposited: | 07 Feb 2013 14:42 |
| Last Modified: | 02 Aug 2023 17:02 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/6132 |
Statistics
Additional statistics are available via IRStats2.
Archive Staff Only (login required)
