Lambert, Nick (2012) Domes and creativity: a historical exploration. Digital Creativity 23 (1), pp. 5-29. ISSN 1462-6268.
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Official URL: http://dx.doi.org/10.1080/14626268.2012.664821
Abstract
This article examines the deeper history of the dome-as-venue and considers what contemporary fulldome artists could learn from the past. It also looks at antecedents found in the work of the artists who sought to unify sound and image in special performance spaces, and how their holistic conception of ‘art’ involving all the senses might be applied to fulldome work.
Metadata
Item Type: | Article |
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Keyword(s) / Subject(s): | immersive environments, projection, domes, virtual reality |
School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
Research Centres and Institutes: | Vasari Research Centre for Art and Technology |
Depositing User: | Administrator |
Date Deposited: | 05 Mar 2013 10:21 |
Last Modified: | 02 Aug 2023 17:02 |
URI: | https://eprints.bbk.ac.uk/id/eprint/6197 |
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