Hope, Sophie and Stamenkovic, M. (2008) Exploring critiical and political art in the United Kingdom and Serbia. In: Jordan, M. and Miles, M. (eds.) Art Theory and Post-Socialism. Bristol, UK: Intellect, pp. 77-88. ISBN 9781841502113.
Abstract
Book synopsis: Contemporary visual culture, art, theory and criticism shifted after the end of the Cold War, so that cultural production in both the East and the West underwent radical new challenges. Art and Theory After Socialism considers the new critical insights that are produced in the collisions of art theory from the ex-East and ex-West. The collected essays assert that dreams promised by consumerism and capitalism have not been delivered in the East, and that the West is not a zone of liberation, increasingly drawn into global conflict as well as media presentation of a high-risk society. Academics, artists and critics focus on specific practices and broader contexts for cultural production, highlighting the work of artists in the former Soviet and East European bloc and in the West. The collection reveals that some practices have not changed, and that in a world of globalized consumption, art and theory are not as liberated as first supposed. New practices are discussed: collaborative efforts by groups of artists, and the emergence of dissident art that subverts and challenges the institutional structures of the art world. Art and Theory After Socialism is a unique re-investigation of the overlap of art and everyday life in a post-Cold War world.
Metadata
| Item Type: | Book Section |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Research Centres and Institutes: | Birkbeck Interdisciplinary Research in Media and Culture (BIRMAC) (Closed) |
| Depositing User: | Sarah Hall |
| Date Deposited: | 26 Sep 2013 16:31 |
| Last Modified: | 09 Aug 2023 12:34 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/8226 |
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