Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Monk, C. (eds.) Les Producteurs, enjeux créatifs, enjeux financiers. Paris, France: Éditions Nouveau Monde, pp. 27-41. ISBN 9782847366075.
Abstract
Book synopsis: At the crossroads of economic, social, political and cultural, this book focuses on a key figure still too unknown, the producer. In the example of France but also in other European countries, we examine a profession with blurred boundaries and its mutations, the origins of cinema today. Because the financial and editorial strategies are often closely intertwined, this set combines the economic, cultural and sociological approaches to better understand the role and influence of the producer in contemporary culture.
Metadata
| Item Type: | Book Section |
|---|---|
| Keyword(s) / Subject(s): | cinema, culture, economy, France, hollywood, images, advertising, directors |
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
| Research Centres and Institutes: | Moving Image, Birkbeck Institute for the (BIMI) |
| Depositing User: | Sarah Hall |
| Date Deposited: | 01 Oct 2013 10:07 |
| Last Modified: | 09 Aug 2023 12:34 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/8313 |
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