Silverthorne, Diane (2011) Music, modernism and the Vienna secession: musical form in Ver Sacrum (1898-1903). In: de Mille, C. (ed.) Music and Modernism, c. 1849-1950. Newcastle upon Tyne, UK: Cambridge Scholars Press. ISBN 9781443826969.
Abstract
Book synopsis: Music and Modernism is a collection of essays which re-evaluates the significant connections between the disciplines of music, fine art and architecture in the period covering the emergence and flowering of modernism, c. 1849–1950. Combining established scholars in the field with those at the start of their careers, this book presents an exceptional cross-section of European and American modernism through a series of detailed case-studies. Avoiding a simplistic engagement with cross- or inter-disciplinarity, the focus of attention centres on themes that became key to modernist artists and critics: association, perception, representation, subjectivity, writing and language. Accordingly, this book re-thinks modernism itself in the light of both the fine arts and music, to advocate a multiplicity of modernisms from which it is necessary for scholars to construct their own narratives.
Metadata
| Item Type: | Book Section |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Historical Studies |
| Depositing User: | Sarah Hall |
| Date Deposited: | 14 Oct 2013 14:41 |
| Last Modified: | 02 Aug 2023 17:07 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/8457 |
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