Asibong, Andrew (2013) (Not) seeing things: Marie NDiaye, negative hallucination and “blank” métissage. In: Damlé, A. and Rye, G. (eds.) Women’s Writing in Twenty-First-century France. Chicago, U.S.: University of Chicago Press. ISBN 9780708325889.
Abstract
Book synopsis: Women’s Writing in Twenty-First-Century France is a collection of critical essays on recent literature written by women in France. It takes stock of the themes, issues, and trends in women’s writing of the first decade of the twenty-first century and engages critically with the work of individual authors through close readings. Authors covered include major prizewinners, best-selling authors, and established and new writers whose work has attracted scholarly attention. Topics covered in the essays include translation, popular fiction, society, history, war, family relations, violence, trauma, the body, racial identity, sexual identity, feminism, life-writing, and textual/aesthetic experiments.
Metadata
| Item Type: | Book Section |
|---|---|
| School: | Birkbeck Faculties and Schools > Faculty of Business and Law > Birkbeck Business School |
| Research Centres and Institutes: | Birkbeck Interdisciplinary Research in Media and Culture (BIRMAC) (Closed), Aesthetics of Kinship and Community, Birkbeck Research in (BRAKC) |
| Depositing User: | Sarah Hall |
| Date Deposited: | 13 May 2014 16:15 |
| Last Modified: | 02 Aug 2023 17:10 |
| URI: | https://eprints.bbk.ac.uk/id/eprint/9733 |
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