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Calè, Luisa (2024) ‘Knowledge is Power’: literature, invention, radical thinking at the London Mechanics’ Institution. 19: Interdisciplinary Studies in the Long Nineteenth Century 36 , ISSN 1755-1560.

Calè, Luisa (2022) William Blake’s “Fourfold Vision”: a practical antiquary’s visionary contemplations among the “Couches of the Dead”. Modern Philology 120 (1), pp. 24-48. ISSN 0026-8232.

Calè, Luisa (2022) William Blake’s 'Pestilence', sympathy, and the politics of feeling. European Romantic Review 33 (4), pp. 515-533. ISSN 1050-9585.

Calè, Luisa (2022) Reading revolutions: Corrado Costa’s William Blake in Beulah, a visionary cartoon essay in 1977 Italy. Blake/An Illustrated Quarterly 55 (3), ISSN 0160-628x.

Calè, Luisa (2021) Blake and Exhibitions, 2020. Blake/An Illustrated Quarterly 55 (1), ISSN 0160-628x.

Calè, Luisa (2020) “A Dream of Thiralatha”: promiscuous book gatherings and the wanderings of Blake’s separate plates. Studies in Romanticism 59 (4), pp. 431-445. ISSN 0039-3762.

Calè, Luisa (2020) Modern Sibyls and sibylline media. Studies in Romanticism 59 (1), pp. 45-69. ISSN 0039-3762.

Calè, Luisa (2020) Extra-illustration and ephemera: altered books and the alternative forms of the fugitive page. Eighteenth-Century Life 44 (2), pp. 111-135. ISSN 0098-2601.

Calè, Luisa and Evangelista, S. (2018) ”A Bright Erroneous Dream": The Shelley Memorial and the body of the Poet. Word and Image 34 (1), pp. 17-31. ISSN 0266-6286.

Calè, Luisa (2017) Blake, Young, and the poetics of the composite page. Huntington Library Quarterly 80 (3), pp. 453-479. ISSN 0018-7895.

Calè, Luisa (2017) Historic doubts, conjectures, and the wanderings of a principal curiosity: Henry VII in the fabric of Strawberry Hill. Word & Image 33 (3), pp. 279-291. ISSN 0266-6286.

Calè, Luisa and Parejo Vadillo, Ana (2015) In the cloud: Nineteenth-Century visions and experiments for the digital age. 19: Interdisciplinary Studies in the Long Nineteenth Century 21 , ISSN 1755-1560.

Calè, Luisa (2015) Leigh Hunt’s Romantic Paper Gallery: reading Spenser through the Old Masters in 1833 and 1844. La Questione Romantica 5 (1-2), pp. 31-50. ISSN 1125 - 0364.

Calè, Luisa (2015) ‘A Gallery in the Mind’? Hazlitt, Spenser, and the Old Masters. Tate Papers 24 , ISSN 1753-9854.

Calè, Luisa (2012) Romantic paper arts. European Romantic Review 23 (4), pp. 524-531. ISSN 1050-9585.

Calè, Luisa (2011) Gray’s ode and Walpole’s China tub: the order of the book and the paper lives of an object. Eighteenth-Century Studies 45 (1), pp. 105-125. ISSN 0013-2586.

Calè, Luisa and Craciun, A. (2011) The disorder of things. Eighteenth-Century Studies 45 (1), pp. 1-13. ISSN 0013-2586.

Calè, Luisa (2010) Dickens extra-illustrated: heads and scenes in monthly parts (The Case of Nicholas Nickleby). Yearbook of English Studies 40 (1/2), pp. 8-32. ISSN 0306-2473.

Calè, Luisa and Di Bello, Patrizia (2007) Introduction: verbal and visual interactions in Nineteenth-Century print culture. 19: Interdisciplinary Studies in the Long Nineteenth Century 5 , ISSN 1755-1560.

Calè, Luisa and Di Bello, Patrizia (2007) Scraps on the album. 19: Interdisciplinary Studies in the Long Nineteenth Century 5 , ISSN 1755-1560.

Calè, Luisa (2007) Sympathy in translation: Paul et Virginie on the London stage. Romanticism On The Net 46 , ISSN 1467-1255.

Calè, Luisa (2006) Periodical personae: pseudonyms, authorship and the imagined community of Joseph Priestley’s Theological Repository. 19: Interdisciplinary Studies in the Long Nineteenth Century 3 , ISSN 1755-1560.

Calè, Luisa (2004) A visual interface for the act of reading. Comparative Critical Studies 1 (1-2), pp. 97-118. ISSN 1744-1854.

Book Review

Calè, Luisa (2020) William Blake. Tate Britain, 11 September 2019 – 2 February 2020. Martin Myrone and Amy Concannon, with an afterword by Alan Moore. William Blake. London: Tate Publishing; Princeton: Princeton University Press, 2019. 224 pp. £40.00/$55.00. [Book Review]

Editorial/Introduction

Calè, Luisa and Brooker, Marianne (2020) Introduction: Sibylline Leaves. [Editorial/Introduction]

Book Section

Calè, Luisa (2023) Spiritual form: Walter Pater's encounters with William Blake. In: Martindale, C. and Prettejohn, E. and Østermark-Johanssen, L. (eds.) Walter Pater and the Beginnings of English Studies. Cambridge, UK: Cambridge University Press, pp. 198-215. ISBN 9781108835893.

Calè, Luisa (2021) On the dynamics of periodical illustration: the 'Cornhill Magazine' from monthly to codex to gallery. In: Beck, A. and Mergenthaler, V. (eds.) Journalähnliche Bücher, buchförmige Journale -- Journal-like Books, Book-shaped Journals. Pfennig-Magazin zur Journalliteratur 8. Hannover, Germany: Wehrhahn, p. 121. ISBN 9783865259349.

Calè, Luisa (2020) Remade. In: Lynch, D. and Gillespie, A. (eds.) The Unfinished Book. Oxford Twenty-First Century Approaches to Literature. Oxford, UK: Oxford University Press. ISBN 9780198830801. (In Press)

Calè, Luisa (2019) Maria Cosway’s Hours: Cosmopolitan and Classical Visual Culture in Thomas Macklin’s Poets Gallery. In: Haywood, I. and Matthews, S. and Shannon, M. (eds.) Romanticism and Illustration. Studies in Romanticism. Cambridge, UK: Cambridge University Press, pp. 221-242. ISBN 9781108425711.

Calè, Luisa (2019) Book illustration. In: Haggarty, S. (ed.) William Blake in Context. Cambridge, UK: Cambridge University Press, pp. 56-69. ISBN 9781107144910.

Calè, Luisa (2018) Bestial metamorphoses: Blake’s variations on trans-human change in Dante’s Hell. In: Bruder, H. and Connolly, T. (eds.) Beastly Blake. Palgrave Studies in Animals and Literature. Basingstoke, UK: Palgrave, pp. 153-181. ISBN 9783319897875.

Calè, Luisa (2017) William Blakes Nachtgedanken: Zwischen Buch, Körper, und Cosmos. In: Martin, L. and Brink, C. (eds.) Alles In Allem: Die Gedankenwelt des mystischen Philosophen Jacob Böhme. Dresden, Germany: Sandstein Verlag für Staatliche Kunstsammlungen Dresden, pp. 151-165. ISBN 9783954983339.

Calè, Luisa (2016) Extra-illustrations: the order of the book and the fantasia of the library. In: Craciun, A. and Schaffer, S. (eds.) The Material Culture of Enlightenment Arts and Sciences. Palgrave Studies in the Enlightenment. Romanticism and the Cultures of Print. Basingstoke, UK: Palgrave Macmillan, pp. 235-254. ISBN 9781137445797.

Calè, Luisa (2012) Gendering the margins of Gray: William Blake, classical visual culture, and the alternative bodies of Ann Flaxman’s book. In: Bruder, H. and Connolly, T.J. (eds.) Blake, Gender and Culture. The Body, Gender and Culture 10. London: Pickering and Chatto, pp. 133-143. ISBN 9781848933040.

Calè, Luisa (2011) The nightmare disseminated: the poetics of the bedroom scene in Fuseli, Frankenstein, Film. In: Thornton, S. and Gillard-Estrada, A.F. (eds.) Circulation and transfer of key scenes in nineteenth-century literature. Cahiers Charles V 48. Paris, France: Institut d'études anglophones, Université Paris Diderot, pp. 85-106. ISBN 9782902937479.

Fraser, Hilary (2010) Foreword. In: Calè, Luisa and Di Bello, Patrizia (eds.) Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave MacMillan, ix-xv. ISBN 9780230221970.

Tilley, Heather (2010) Wordsworth’s glasses: the materiality of blindness in the romantic imagination. In: Calè, Luisa and Di Bello, Patrizia (eds.) Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Culture. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230221970.

Fraser, Hilary (2009) Introduction: Nineteenth-Century objects and beholders. In: Di Bello, Patrizia and Calè, Luisa (eds.) Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Culture. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave Macmillan, ix-xv. ISBN 9780230221970.

Mills, Victoria (2009) Dandyism, visuality and the ‘Camp Gem’: collections of jewels in Huysmans and Wilde. In: Calè, Luisa and Di Bello, Patrizia (eds.) Illustrations, Optics and Objects in Nineteenth-Century Visual and Literary Cultures. Basingstoke, UK: Palgrave, pp. 147-166. ISBN 9780230221970.

Calè, Luisa (2009) Belinda and exhibition culture: fiction, pictures and imaginary Ekphrasis. In: Orestano, F. and Frigerio, F. (eds.) Strange Sisters: Literature and Aesthetics in the Nineteenth Century. Cultural Interactions: Studies in the Relationship between the Arts 9. New York, U.S.: Peter Lang, pp. 13-26. ISBN 9783039118403.

Calè, Luisa (2008) Blake and the literary galleries. In: Haggarty, S. and Mee, J. (eds.) Blake and Conflict. Basingstoke, UK: Palgrave Macmillan, pp. 185-209. ISBN 9780230573871.

Calè, Luisa (2007) From Dante’s Inferno to a TV Dante: Phillips and Greenaway remediating Dante’s Polysemy. In: Braida, A. and Calè, Luisa (eds.) Dante on View: The Reception of Dante in the Visual and Performing Arts. Farnham, UK: Ashgate, pp. 177-192. ISBN 9780754658962.

Calè, Luisa and Braida, A. (2007) Introduction. In: Braida, A. and Calè, Luisa (eds.) Dante on View: The Reception of Dante in the Visual and Performing Arts. Farnham, UK: Ashgate, pp. 1-16. ISBN 9780754658962.

Braida, A. and Calè, Luisa (2007) Introduction. In: Braida, A. and Calè, Luisa (eds.) Dante on View: The Reception of Dante in the Visual and Performing Arts. Abingdon, UK: Routledge, pp. 1-13. ISBN 9780754658962.

Calè, Luisa (2003) Lapland orgies: the hell-hounds round Sin: réécriture et invention dans la galerie miltonienne de J. H. Füssli. In: Bardazzi, G. and Grosrichard, A. (eds.) Dénouement des Lumières et Invention Romantique. Histoire des Idées et Critique Littéraire 407. Geneva, Switzerland: Drosz, pp. 231-246. ISBN 9782600008372.

Calè, Luisa The reception of Blake in Italy. In: Paley, M. and Erle, S. (eds.) The Reception of William Blake in Europe. The Reception of British and Irish Authors in Europe I. London, UK: Bloomsbury, pp. 125-154. ISBN 9781472507457. (Submitted)

Book

Calè, Luisa and Di Bello, Patrizia, eds. (2010) Illustrations, optics and objects in Nineteenth-Century literary and visual cultures. Palgrave Studies in Nineteenth-Century Writing and Culture. Basingstoke, UK: Palgrave MacMillan. ISBN 9780230221970.

Braida, A. and Calè, Luisa, eds. (2007) Dante on view: the reception of Dante in the visual and performing arts. Farnham, UK: Ashgate. ISBN 9780754658962.

Calè, Luisa (2006) Fuseli's Milton Gallery: turning readers into spectators. Oxford, UK: Oxford University Press. ISBN 9780199267385.

Other

Calè, Luisa and Parejo Vadillo, Ana (2015) The Nineteenth-Century Digital Archive. The Open Library of Humanities, London, UK.