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González-López, Irene and Centeno Martin, Marcos Pablo and Armendariz-Hernandez, Alejandra (2023) Japanese documentary filmmaker Haneda Sumiko: authorship, representation and gender discourses. In: Chan, F. and Elliot, F. and Willis, A. (eds.) Women in East Asian Cinema. Gender Representations, Creative Labour and Global Histories. Edinburgh, UK: Edinburgh University Press, pp. 107-123. ISBN 9781399504928. (In Press)

González-López, Irene (2023) How to sell a remake: The Gate of Flesh media franchise. In: Diffrient, D.S. and Chan, K. (eds.) East Asian Film Remakes. Screen Serialities. Edinburgh, UK: Edinburgh University Press, pp. 27-48. ISBN 9781399508162.

González-López, Irene (2023) ‘“Film Director Tanaka Kinuyo” Murakawa Hide: The challenges of female authorship”. JCMS: Journal of Cinema and Media Studies 62 (4), pp. 130-154. ISSN 1527-2087.

González-López, Irene (2022) Red-Light Bases (1953): A cross-temporal contact zone. In: Kirsch, G. and Mithani, Forum (eds.) Handbook of Japanese Media and Popular Culture in Transition. Amsterdam, The Netherlands: Amsterdam University Press, pp. 47-61. ISBN 9789048559268.

González-López, Irene and Armendariz-Hernandez, Alejandra (2022) ‘‘Female Director’: discourses and practices in contemporary Japan. In: Desser, D. (ed.) A Companion to Japanese Cinema. Wiley Blackwell Companions to National Cinemas. Wiley-Blackwell, pp. 421-445. ISBN 9781118955345.

González-López, Irene (2018) Marketing the panpan in Japanese popular culture : youth, sexuality, and power. U.S.-Japan Women's Journal 54 , pp. 29-51. ISSN 1059-9770.

González-López, Irene (2018) In search of the authentic Japanese taste : 'Solitary Gourmet' and cultural tourism = En busca del auténtico sabor japonés : El Gourmet Solitario y el turismo cultural. Mirai. Estudios Japoneses 2 , pp. 49-66. ISSN 2531-145X.

González-López, Irene and Smith, M. (2018) Introduction: Onna Monogatari. In: González-López, Irene and Smith, M. (eds.) Tanaka Kinuyo: nation, stardom and female subjectivity. Edinburgh Studies in East Asian Film. Edinburgh, UK: Edinburgh University Press. ISBN 9781474431781.

González-López, Irene and Mayu, A. (2018) The first female gaze at postwar Japanese women : Tanaka Kinuyo film director. In: González-López, Irene and Smith, M. (eds.) Tanaka Kinuyo : nation, stardom and female subjectivity. Edinburgh Studies in East Asian Film. Edinburgh, UK: Edinburgh University Press. ISBN 9781474409698.

González-López, Irene and Smith, M., eds. (2018) Tanaka Kinuyo: nation, stardom and female subjectivity. Edinburgh Studies in East Asian Film. Edinburgh, U.K.: Edinburgh University Press. ISBN 9781474431781.

González-López, Irene (2017) The profound desire of the goddess: sexuality and politics in 'The Insect Woman'. In: Torres Hortelano, L.J. (ed.) Dialectics of the goddess in Japanese audiovisual culture. Lanham, U.S.: Lexington Books, pp. 27-49. ISBN 9781498570145.

Armendariz-Hernandez, A. and González-López, Irene (2017) Roundtable : the position of women in post-war Japanese cinema (Kinema Junpo, 1961). Film Studies 16 (1), pp. 36-55. ISSN 1469-0314.

González-López, Irene (2016) Mizoguchi y los ultimos dias del barrio rojo. In: Méndez, A.L. (ed.) El Japon contemporaneo : una aproximacion desde los Estudios Culturales. Biblioteca de Japon 4. Barcelona, Spain: Bellaterra, pp. 105-126. ISBN 9788472907577.

González-López, Irene and Ueda, M. (2015) Josei no seiteki yokubō no hatsuro ? Tanaka Kinuyo kantoku sakuhin Chibusa yo eien nare = Expressing female sexual desire : director Tanaka Kinuyo's 'The eternal breasts'. CineMagaziNet! (19),

González-López, Irene (2014) Wakao Ayako and post-war Japanese studio system: celebrity and performer. Journal of Japanese and Korean Cinema 6 (1), pp. 39-54. ISSN 1756-4905.