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    Number of items: 43.

    Article

    Mulvey, Laura (2017) Thoughts on Marilyn Monroe: emblem and allegory. Screen 58 (2), pp. 202-209. ISSN 0036-9543.

    Mulvey, Laura (2015) Cinematic gesture: the ghost in the machine. Journal for Cultural Research 19 (1), pp. 6-14. ISSN 1479-7585.

    Mulvey, Laura (2009) Mark Lewis. Modern painters 21 (4), pp. 60-65. ISSN 0953-6698.

    Mulvey, Laura (2009) Some reflections on the cinephilia question. Framework: The Journal of Cinema and Media 50 (1-2), pp. 190-193. ISSN 0306-7661.

    Mulvey, Laura (2007) Repetition and return: the spectator's memory in Abbas Kiarostami’s 'Koker Trilogy'. Third Text 21 (1), pp. 19-29. ISSN 0952-8822.

    Mulvey, Laura (2007) A sudden gust of wind (after Hokusai): from after to before the photograph. Oxford Art Journal 30 (1), pp. 27-37. ISSN 0142-6540.

    Mulvey, Laura (2004) Passing time: reflections on cinema from a new technological age. Screen 45 (2), pp. 142-155. ISSN 0036-9543.

    Mulvey, Laura (2003) Jill Forbes's Les Enfants du paradis. French Cultural Studies 14 (3), pp. 278-287. ISSN 0957-1558.

    Mulvey, Laura (2002) Detail, digression and death: the movies in Chris Petit's film 'Negative Space'. Afterall 5 , ISSN 1465-4253.

    Mulvey, Laura (2001) Death drives: Hitchcock's 'Psycho'. Film Studies 2 , ISSN 1469-0314.

    Mulvey, Laura (2001) The problem of America: the problem of sound. Critical Quarterly 43 (3), pp. 3-8. ISSN 0011-1562.

    Mulvey, Laura (2000) Death 24X a second. Coil 9/10 ,

    Book Section

    Mulvey, Laura (2018) ‘She was the most beautiful creature I ever saw’: visualising replacement in Hitchcock’s Rebecca. In: Owen, Jean and Segal, Naomi (eds.) On Replacement. Basingstoke, UK: Palgrave Macmillan, pp. 169-175. ISBN 9783319760100.

    McCabe, Janet (2015) Disconnected heroines, icy intelligence: reframing Feminism(s) and Feminist identities at the borders involving the isolated female TV detective in Scandinavian-Noir. In: Mulvey, Laura and Backman Rogers, A. (eds.) Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures. The Key Debates: Mutations and Appropriations in European Film Studies 5. De Gruyter, pp. 29-43. ISBN 9789048523634.

    Mulvey, Laura (2012) Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a "fabric of quotations". In: MacCabe, Colin and Mulvey, Laura (eds.) Godard's Contempt: Essays From The London Consortium. Critical Quarterly. Hoboken, U.S.: Wiley, pp. 225-237. ISBN 9781444339314.

    Mulvey, Laura (2011) Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929). In: Labanyi, J. and Passerini, L. and Diehl, K. (eds.) Europe and Love in Cinema. Bristol, UK: Intellect Ltd., pp. 87-100. ISBN 9781841503790.

    Mulvey, Laura (2011) Rear projection and the paradoxes of Hollywood realism. In: Nagib, L. and Perriam, C. and Dudrah, R. (eds.) Theorizing World Cinema. Tauris World Cinema Series. London, UK: I.B. Tauris, pp. 207-220. ISBN 9781848854925.

    Mulvey, Laura (2011) Max Ophuls's auteurist adaptations. In: MacCabe, Colin and Murray, K. and Warner, R. (eds.) True to the Spirit: Film Adaptation and the Question of Fidelity. Oxford, UK: Oxford University Press, pp. 75-89. ISBN 9780195374667.

    Mulvey, Laura (2010) Foreword. In: Laviosa, F. (ed.) Visions of Struggle in Women's Filmmaking in the Mediterranean. Comparative Feminist Studies. Basingstoke, UK: Palgrave Macmillan, xv-xvx. ISBN 9780230617360.

    Mulvey, Laura (2010) Cinema, synch sound and Europe 1929: reflections on coincidence. In: Sider, L. and Freeman, D. and Sider, J. (eds.) Soundscapes: The School of Sound Lectures 1998-2001. London, UK: Wallflower Press. ISBN 9780956563903.

    Mulvey, Laura (2007) Compilation film as 'deferred action': Vincent Monnikendam's Mother Dao, the turtle-like. In: Sabbadini, A. (ed.) Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema. The New Library of Psychoanalysis. Abingdon, UK: Routledge. ISBN 9780415428170.

    Mulvey, Laura (2007) Fantasmagorie du corps féminin. In: UNSPECIFIED (ed.) Cindy Sherman. Paris, France: Flammarion. ISBN 9782080115805.

    Mulvey, Laura (2005) Alan Jones. In: Francis, M. and Foster, H. (eds.) Pop. London, UK: Phaidon. ISBN 9780714856636.

    Mulvey, Laura (2004) Death drives. In: Allen, R. and Ishi-Gonzales, S. (eds.) Hitchcock: Past and Future. Abingdon, UK: Routledge. ISBN 9780415275262.

    Mulvey, Laura (2003) Death 24X a second: the inorganic body and the cinema. In: Sheehan, P. (ed.) Becoming Human: New Perspectives on the Inhuman Condition. Santa Barbara, California, USA: Praeger. ISBN 9780275978990.

    Mulvey, Laura (2003) Foreword. In: Sabbadini, A. (ed.) The Couch and the Silver Screen: Psychoanalytic Reflections on European Cinema. Abingdon, UK: Routledge. ISBN 9781583919521.

    Mulvey, Laura (2003) Then and now: cinema as history in the light of new media and new technologies. In: Nagib, L. (ed.) The New Brazilian Cinema. London, UK: I.B.Tauris. ISBN 9781860649288.

    Mulvey, Laura (2003) The 'pensive spectator' revisited: time and its passing in the still and moving image. In: Green, D. (ed.) Where is the Photograph? Brighton, UK: Photoforum. ISBN 9781903796085.

    Mulvey, Laura (2003) The 'pensive spectator' revisited: time and its passing in the still and moving image. In: Büchler, P. and Leighton, T. (eds.) Saving the Image: Art After Film. Manchester, UK: Cornerhouse Publications. ISBN 9781873331248.

    Mulvey, Laura (2002) Afterword. In: Tapper, R. (ed.) The New Iranian Cinema: Politics, Representation and Identity. London, UK: I.B Tauris. ISBN 9781860648045.

    Mulvey, Laura (2001) Den blick demaskieren: Hollywood-kino, weiblisches publikum und konsumkultur. In: Schenk, I. (ed.) Erlebnisort Kino. Bremen, Germany: Schüren Verlag. ISBN 9783894723200.

    Mulvey, Laura (2001) Vesuvian topographies: the eruption of the past in journey to Italy. In: Nowell-Smith, G. and Lutton, S. and Forgacs, D. (eds.) Roberto Rossellini: Magician of the Real. London, UK: The British Film Institute. ISBN 9780851707952.

    Mulvey, Laura (2001) The index and the uncanny. In: Gill, C. and Matthews, T. (eds.) Time and the Image. Critical Perspectives in Art History. Manchester, UK: Manchester University Press. ISBN 9780719058134.

    Book

    Mulvey, Laura (2019) Afterimages: on cinema, women and changing times. London, UK: Reaktion. ISBN 9781789141221. (In Press)

    Clayton, S. and Mulvey, Laura, eds. (2017) Other cinemas: politics, culture and experimental cinema in 1970s Britain. London, UK: I.B. Tauris. ISBN 9781784537180.

    MacCabe, Colin and Mulvey, Laura, eds. (2012) Godard's contempt: essays from The London Consortium. Critical Quarterly. Hoboken, U.S.: Wiley. ISBN 9781444339314.

    Mulvey, Laura (2009) Visual and other pleasures (2nd Edition). Language, Discourse, Society. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230576469.

    Mulvey, Laura and Sexton, J., eds. (2007) British experimental television. Manchester, UK: Manchester University Press. ISBN 9780719075551.

    Mulvey, Laura (2006) Death 24x a second: stillness and the moving image. London, UK: Reaktion Books. ISBN 9781861892638.

    Mulvey, Laura (1996) Fetishism and curiosity. Bloomington, Indiana, USA: Indiana University Press. ISBN 9780253210197.

    Mulvey, Laura (1992) Citizen Kane. Film Classics. London, UK: BFI Publishing. ISBN 9781844574971.

    Halliday, J. and Mulvey, Laura, eds. (1972) Douglas Sirk. Edinburgh, UK: Edinburgh Film Festival.

    Mulvey, Laura Les premiers quartres plans d'Imitation of life. Paris, France: Trafic.

    This list was generated on Thu Oct 22 04:34:47 2020 BST.