BIROn - Birkbeck Institutional Research Online
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    Number of items: 65.

    2004

    Walsh, Fintan (2004) Fringe frontiers: goes social. Irish Theatre Magazine 4 (21),

    2005

    Walsh, Fintan (2005) 'About Time' and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.

    Walsh, Fintan (2005) "About time" and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.

    Walsh, Fintan (2005) For whom the bell tolls? contemporary British performance and Irish theatre. Irish Theatre Magazine 5 (22),

    2006

    Walsh, Fintan (2006) The law of the father, and of the son, and of the evil queer: (en)gendering violence in 'The Passion of the Christ'. In: UNSPECIFIED (ed.) Journal of Postgraduate Research. Dublin, Ireland: Trinity College Dublin, pp. 171-174. ISBN 9780955054723.

    Walsh, Fintan (2006) The politics of desire: the international Dublin gay theatre festival. Irish Theatre Magazine 6 (27),

    March 2006

    Walsh, Fintan (2006) Bibliography of works of Sebastian Barry and production details of the premieres of Sebastian Barry’s plays. In: Hunt Mahony, C. (ed.) Out of History: Essays on the Writings of Sebastian Barry. Dublin, UK: Carysfort Press, pp. 229-244. ISBN 9780813214597.

    2007

    Walsh, Fintan (2007) Anything but mainstream. Irish Theatre Magazine 7 (31),

    Walsh, Fintan (2007) The erotics and politics of masochistic self-abjection in 'Jackass'. Gender Forum 18 , pp. 41-62. ISSN 1613-1878.

    2008

    Walsh, Fintan (2008) Masculinity, victimization and the recuperation of authority in "InterMission". In: Tighe-Mooney, S. and Quinn, D. (eds.) Essays on Irish Literary Criticism: Themes of Gender, Sexuality, and Corporeality. Hors Série. Credigon, Wales: Edwin Mellen, pp. 195-210. ISBN 9780773448308.

    Walsh, Fintan (2008) Shirley Temple Bar at the Abbey: Irish theatre, queer performance and the politics of disidentification. Irish Theatre International 1 (1), pp. 53-72. ISSN 2009-0870.

    2009

    Walsh, Fintan (2009) Between deaths: screening Jade Goody. Contemporary Theatre Review 19 (3), pp. 382-385. ISSN 1048-6801.

    Walsh, Fintan (2009) Homelysexuality and the “beauty” pageant. In: Brady, S. and Walsh, Fintan (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke, UK: Palgrave Macmillan, pp. 196-210. ISBN 9780230219984.

    Walsh, Fintan (2009) Redressing the past, cross-dressing the future. Foilsiú: Interdisciplinary Journal of Irish Studies 8 , pp. 79-92.

    Walsh, Fintan (2009) A view from behind: matrixiality, masculinity, queer theory. Studies in the Maternal (2), pp. 1-6. ISSN 1759-0434.

    Walsh, Fintan (2009) A vocation and an addiction. Irish Theatre Magazine ,

    28 March 2009

    Walsh, Fintan (2009) Cock tales: homosexuality, trauma and the cosmopolitan queer. Film Ireland (120), pp. 16-18. ISSN 0791-7546.

    27 August 2009

    Brady, S. and Walsh, Fintan, eds. (2009) Crossroads: performance studies and Irish culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230219984.

    Walsh, Fintan (2009) Introduction: performance studies and Irish culture. In: Walsh, Fintan and Brady, S. (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke and New York: Palgrave Macmillan, pp. 1-10. ISBN 9780230219984.

    20 October 2009

    Walsh, Fintan (2009) Touching, feeling, cross-dressing: on the affectivity of queer performance. In: Cregan, D. (ed.) Deviant Acts: Essays on Queer Performance. Dublin, UK: Carysfort Press, pp. 55-72. ISBN 9781904505426.

    2010

    Walsh, Fintan (2010) Big love: relationality, ethics and the art of letting go. Theatre Research International 35 (1), pp. 17-31. ISSN 0307-8833.

    Walsh, Fintan (2010) Child's play: making theatre for young audiences. Irish Theatre Magazine ,

    Walsh, Fintan (2010) Critical disorientations: intoxication, engagement and performance. Contemporary Theatre Review 20 (2), pp. 241-244. ISSN 1048-6801.

    Walsh, Fintan (2010) Documentary theatre: beyond information. Irish Theatre Magazine ,

    Walsh, Fintan (2010) Permission to take risks. Irish Theatre Magazine ,

    Walsh, Fintan (2010) Practicalities and possibilities: reflections on the national networking day for collaborative arts. National Development Agency for Collaborative Arts in Social and Community Contexts, Dublin, Ireland.

    Walsh, Fintan, ed. (2010) Queer notions: new plays and performances from Ireland. Cork, Ireland: Cork University Press. ISBN 9781859184691.

    Walsh, Fintan (2010) The flaming archive. In: Walsh, Fintan (ed.) Queer Notions: New Plays and Performances from Ireland. Cork, Ireland: Cork University Press, pp. 1-16. ISBN 9781859184691.

    9 June 2010

    Walsh, Fintan (2010) Male trouble: masculinity and the performance of crisis. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230579699.

    2011

    Walsh, Fintan (2011) Graphic tensions: what posters say about plays. Irish Theatre Magazine ,

    Walsh, Fintan (2011) I try to get under the skin. Irish Theatre Magazine ,

    Walsh, Fintan (2011) Pan Pan: theatre of ideas. Irish Theatre Magazine ,

    31 March 2011

    Walsh, Fintan (2011) From enthusiasm to encounter-event: Bracha L. Ettinger, Samuel Beckett and the theatre of affect. Parallax 17 (2), pp. 110-123. ISSN 1353-4645.

    2012

    Walsh, Fintan (2012) Keeping everything completely alive: Corn Exchange's 'Dubliners'. Irish Theatre Magazine ,

    Walsh, Fintan (2012) Singing out your feelings. Irish Theatre Magazine ,

    Walsh, Fintan (2012) To try for something extraordinary. Irish Theatre Magazine ,

    Walsh, Fintan (2012) The transformative power of having fun: Alternative Miss Ireland and contemporary Irish theatre. Irish Theatre Magazine ,

    August 2012

    Walsh, Fintan (2012) Queer publics, public queers. Performing Ethos: International Journal of Ethics in Theatre and Performance 2 (2), pp. 91-94. ISSN 1757-1979.

    December 2012

    Walsh, Fintan (2012) Theatre and therapy. Theatre And. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230293274.

    2013

    Walsh, Fintan, ed. (2013) 'That was us': contemporary Irish theatre and performance. London, UK: Oberon Books. ISBN 9781783190355.

    Walsh, Fintan (2013) The power of the powerless: theatre in turbulent times. In: Walsh, Fintan (ed.) 'That Was Us': Contemporary Irish Theatre and Performance. London, UK: Oberon Books, pp. 1-18. ISBN 9781783190355.

    15 February 2013

    Walsh, Fintan (2013) Mourning sex: the aesthetics of queer relationality in contemporary film. In: Bracken, C. and Radley, E. (eds.) Viewpoints: Theoretical Perspectives on Irish Visual Texts. Cork, Ireland: Cork University Press. ISBN 9781859184967.

    8 March 2013

    Walsh, Fintan and Causey, M., eds. (2013) Performance, identity and the neo-political subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge. ISBN 9780415509657.

    1 April 2013

    Walsh, Fintan (2013) The matter of queer politics and ethics: Antony Hegarty and "The Crying Light". In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre and Performance Studies. London, UK: Routledge, pp. 213-229. ISBN 9780415509657.

    4 April 2013

    Walsh, Fintan and Causey, M. (2013) Introduction: performance, identity and the neo-political subject. In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge, pp. 1-8. ISBN 9780415509657.

    13 June 2013

    Walsh, Fintan (2013) Pride, politics and the right to perform. In: Giffney, N. and Shildrick, M. (eds.) Theory on the Edge: Irish Studies and the Politics of Sexual Difference. Breaking Feminist Waves. Basingstoke, UK: Palgrave Macmillan, pp. 105-124. ISBN 9781137306975.

    August 2013

    Walsh, Fintan (2013) Saving Ulster from sodomy and hysteria: sexual and political performance in Northern Ireland. Contemporary Theatre Review 23 (3), pp. 291-301. ISSN 1048-6801.

    2014

    Walsh, Fintan and Silverstone, C. (2014) Editorial: on affirmation. Performance Research 19 (2), pp. 1-3. ISSN 1352-8165.

    Silverstone, C. and Walsh, Fintan (2014) On affirmation. Performance Research 19 (2), pp. 1-142. ISSN 1352-8165.

    Walsh, Fintan (2014) Touching, flirting, whispering: performing intimacy in public. TDR: the Drama Review 58 (4), pp. 56-67. ISSN 1054-2043.

    2015

    Walsh, Fintan (2015) Review: "Masculinity and Irish Popular Culture: Tiger’s Tales" edited by Conn Holohan and Tony Tracy. Contemporary Theatre Review 25 (3), pp. 440-441. ISSN 1048-6801.

    Walsh, Fintan (2015) World factory: the politics of conversation. Contemporary Theatre Review , ISSN 1048-6801.

    March 2015

    Walsh, Fintan (2015) Contemporary Queer Theatre and Performance Research: A Forum by the Queer Futures Working Group. Introduction. Theatre Research International 40 (1), pp. 67-108. ISSN 0307-8833.

    Walsh, Fintan (2015) Cyberactivism and the emergence of #TeamPanti. Theatre Research International 40 (1), pp. 104-107. ISSN 0307-8833.

    2016

    Walsh, Fintan (2016) Polymorphous performance. Breac: A Digital Journal of Irish Studies , ISSN 2372-2231.

    Walsh, Fintan (2016) Queer performance and contemporary Ireland: dissent and disorientation. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan. ISBN 9781137534491. (In Press)

    Walsh, Fintan (2016) Queer performance and the drama of disorientation. In: Campbell, A. and Farrier, S. (eds.) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan, pp. 313-329. ISBN 9781137411839.

    March 2016

    Walsh, Fintan (2016) On generous performance. In: Heddon, D. and Johnson, D. (eds.) It's All Allowed: The Performances of Adrian Howells. Bristol and London, UK: Intellect Live. ISBN 9781783205899.

    11 April 2017

    Walsh, Fintan (2017) Disappearing act. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.

    Walsh, Fintan (2017) Gloss to Pablo Helguera's ‘Otto’s Self Board Meeting’. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.

    May 2019

    Walsh, Fintan, ed. (2019) Theatres of contagion: transmitting Early Modern to contemporary performance. Methuen Drama Engage. London, UK: Methuen Drama. ISBN 9781350085985. (In Press)

    5 September 2019

    Walsh, Fintan (2019) Contagious performance: between illness and ambience. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (In Press)

    Walsh, Fintan (2019) Viral Hamlet: History, Memory, Kinship. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (Submitted)

    October 2019

    Walsh, Fintan (2019) Editorial: Scenes of political crisis. [Editorial/Introduction]

    25 November 2019

    Walsh, Fintan (2019) Pugilistic queer performance: working through and working out. GLQ: A Journal of Lesbian and Gay Studies , ISSN 1064-2684. (In Press)

    This list was generated on Sat Sep 19 04:45:00 2020 BST.