BIROn - Birkbeck Institutional Research Online
    Up a level
    Export as [feed] Atom [feed] RSS
    Number of items: 65.

    Article

    Walsh, Fintan (2019) Pugilistic queer performance: working through and working out. GLQ: A Journal of Lesbian and Gay Studies , ISSN 1064-2684. (In Press)

    Walsh, Fintan (2016) Polymorphous performance. Breac: A Digital Journal of Irish Studies , ISSN 2372-2231.

    Walsh, Fintan (2015) Contemporary Queer Theatre and Performance Research: A Forum by the Queer Futures Working Group. Introduction. Theatre Research International 40 (1), pp. 67-108. ISSN 0307-8833.

    Walsh, Fintan (2015) Cyberactivism and the emergence of #TeamPanti. Theatre Research International 40 (1), pp. 104-107. ISSN 0307-8833.

    Walsh, Fintan (2015) Review: "Masculinity and Irish Popular Culture: Tiger’s Tales" edited by Conn Holohan and Tony Tracy. Contemporary Theatre Review 25 (3), pp. 440-441. ISSN 1048-6801.

    Walsh, Fintan (2015) World factory: the politics of conversation. Contemporary Theatre Review , ISSN 1048-6801.

    Walsh, Fintan and Silverstone, C. (2014) Editorial: on affirmation. Performance Research 19 (2), pp. 1-3. ISSN 1352-8165.

    Silverstone, C. and Walsh, Fintan (2014) On affirmation. Performance Research 19 (2), pp. 1-142. ISSN 1352-8165.

    Walsh, Fintan (2014) Touching, flirting, whispering: performing intimacy in public. TDR: the Drama Review 58 (4), pp. 56-67. ISSN 1054-2043.

    Walsh, Fintan (2013) Saving Ulster from sodomy and hysteria: sexual and political performance in Northern Ireland. Contemporary Theatre Review 23 (3), pp. 291-301. ISSN 1048-6801.

    Walsh, Fintan (2012) Queer publics, public queers. Performing Ethos: International Journal of Ethics in Theatre and Performance 2 (2), pp. 91-94. ISSN 1757-1979.

    Walsh, Fintan (2012) Keeping everything completely alive: Corn Exchange's 'Dubliners'. Irish Theatre Magazine ,

    Walsh, Fintan (2012) Singing out your feelings. Irish Theatre Magazine ,

    Walsh, Fintan (2012) To try for something extraordinary. Irish Theatre Magazine ,

    Walsh, Fintan (2012) The transformative power of having fun: Alternative Miss Ireland and contemporary Irish theatre. Irish Theatre Magazine ,

    Walsh, Fintan (2011) From enthusiasm to encounter-event: Bracha L. Ettinger, Samuel Beckett and the theatre of affect. Parallax 17 (2), pp. 110-123. ISSN 1353-4645.

    Walsh, Fintan (2011) Graphic tensions: what posters say about plays. Irish Theatre Magazine ,

    Walsh, Fintan (2011) I try to get under the skin. Irish Theatre Magazine ,

    Walsh, Fintan (2011) Pan Pan: theatre of ideas. Irish Theatre Magazine ,

    Walsh, Fintan (2010) Big love: relationality, ethics and the art of letting go. Theatre Research International 35 (1), pp. 17-31. ISSN 0307-8833.

    Walsh, Fintan (2010) Child's play: making theatre for young audiences. Irish Theatre Magazine ,

    Walsh, Fintan (2010) Critical disorientations: intoxication, engagement and performance. Contemporary Theatre Review 20 (2), pp. 241-244. ISSN 1048-6801.

    Walsh, Fintan (2010) Documentary theatre: beyond information. Irish Theatre Magazine ,

    Walsh, Fintan (2010) Permission to take risks. Irish Theatre Magazine ,

    Walsh, Fintan (2009) Cock tales: homosexuality, trauma and the cosmopolitan queer. Film Ireland (120), pp. 16-18. ISSN 0791-7546.

    Walsh, Fintan (2009) Between deaths: screening Jade Goody. Contemporary Theatre Review 19 (3), pp. 382-385. ISSN 1048-6801.

    Walsh, Fintan (2009) Redressing the past, cross-dressing the future. Foilsiú: Interdisciplinary Journal of Irish Studies 8 , pp. 79-92.

    Walsh, Fintan (2009) A view from behind: matrixiality, masculinity, queer theory. Studies in the Maternal (2), pp. 1-6. ISSN 1759-0434.

    Walsh, Fintan (2009) A vocation and an addiction. Irish Theatre Magazine ,

    Walsh, Fintan (2008) Shirley Temple Bar at the Abbey: Irish theatre, queer performance and the politics of disidentification. Irish Theatre International 1 (1), pp. 53-72. ISSN 2009-0870.

    Walsh, Fintan (2007) Anything but mainstream. Irish Theatre Magazine 7 (31),

    Walsh, Fintan (2007) The erotics and politics of masochistic self-abjection in 'Jackass'. Gender Forum 18 , pp. 41-62. ISSN 1613-1878.

    Walsh, Fintan (2006) The politics of desire: the international Dublin gay theatre festival. Irish Theatre Magazine 6 (27),

    Walsh, Fintan (2005) 'About Time' and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.

    Walsh, Fintan (2005) "About time" and Irish theatre practice. Contemporary Theatre Review 15 (1), pp. 171-174. ISSN 1048-6801.

    Walsh, Fintan (2005) For whom the bell tolls? contemporary British performance and Irish theatre. Irish Theatre Magazine 5 (22),

    Walsh, Fintan (2004) Fringe frontiers: goes social. Irish Theatre Magazine 4 (21),

    Editorial/Introduction

    Walsh, Fintan (2019) Editorial: Scenes of political crisis. [Editorial/Introduction]

    Book Section

    Walsh, Fintan (2019) Contagious performance: between illness and ambience. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (In Press)

    Walsh, Fintan (2019) Viral Hamlet: History, Memory, Kinship. In: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. Methuen Drama Engage. London, UK: Bloomsbury. ISBN 9781350085992. (Submitted)

    Walsh, Fintan (2017) Disappearing act. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.

    Walsh, Fintan (2017) Gloss to Pablo Helguera's ‘Otto’s Self Board Meeting’. In: Sack, D. (ed.) Imagined Theatres: Writing for a Theoretical Stage. London and New York: Routledge. ISBN 9781138122048.

    Walsh, Fintan (2016) On generous performance. In: Heddon, D. and Johnson, D. (eds.) It's All Allowed: The Performances of Adrian Howells. Bristol and London, UK: Intellect Live. ISBN 9781783205899.

    Walsh, Fintan (2016) Queer performance and the drama of disorientation. In: Campbell, A. and Farrier, S. (eds.) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan, pp. 313-329. ISBN 9781137411839.

    Walsh, Fintan (2013) Pride, politics and the right to perform. In: Giffney, N. and Shildrick, M. (eds.) Theory on the Edge: Irish Studies and the Politics of Sexual Difference. Breaking Feminist Waves. Basingstoke, UK: Palgrave Macmillan, pp. 105-124. ISBN 9781137306975.

    Walsh, Fintan and Causey, M. (2013) Introduction: performance, identity and the neo-political subject. In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge, pp. 1-8. ISBN 9780415509657.

    Walsh, Fintan (2013) The matter of queer politics and ethics: Antony Hegarty and "The Crying Light". In: Walsh, Fintan and Causey, M. (eds.) Performance, Identity and the Neo-Political Subject. Routledge Advances in Theatre and Performance Studies. London, UK: Routledge, pp. 213-229. ISBN 9780415509657.

    Walsh, Fintan (2013) Mourning sex: the aesthetics of queer relationality in contemporary film. In: Bracken, C. and Radley, E. (eds.) Viewpoints: Theoretical Perspectives on Irish Visual Texts. Cork, Ireland: Cork University Press. ISBN 9781859184967.

    Walsh, Fintan (2013) The power of the powerless: theatre in turbulent times. In: Walsh, Fintan (ed.) 'That Was Us': Contemporary Irish Theatre and Performance. London, UK: Oberon Books, pp. 1-18. ISBN 9781783190355.

    Walsh, Fintan (2010) The flaming archive. In: Walsh, Fintan (ed.) Queer Notions: New Plays and Performances from Ireland. Cork, Ireland: Cork University Press, pp. 1-16. ISBN 9781859184691.

    Walsh, Fintan (2009) Touching, feeling, cross-dressing: on the affectivity of queer performance. In: Cregan, D. (ed.) Deviant Acts: Essays on Queer Performance. Dublin, UK: Carysfort Press, pp. 55-72. ISBN 9781904505426.

    Walsh, Fintan (2009) Introduction: performance studies and Irish culture. In: Walsh, Fintan and Brady, S. (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke and New York: Palgrave Macmillan, pp. 1-10. ISBN 9780230219984.

    Walsh, Fintan (2009) Homelysexuality and the “beauty” pageant. In: Brady, S. and Walsh, Fintan (eds.) Crossroads: Performance Studies and Irish Culture. Basingstoke, UK: Palgrave Macmillan, pp. 196-210. ISBN 9780230219984.

    Walsh, Fintan (2008) Masculinity, victimization and the recuperation of authority in "InterMission". In: Tighe-Mooney, S. and Quinn, D. (eds.) Essays on Irish Literary Criticism: Themes of Gender, Sexuality, and Corporeality. Hors Série. Credigon, Wales: Edwin Mellen, pp. 195-210. ISBN 9780773448308.

    Walsh, Fintan (2006) Bibliography of works of Sebastian Barry and production details of the premieres of Sebastian Barry’s plays. In: Hunt Mahony, C. (ed.) Out of History: Essays on the Writings of Sebastian Barry. Dublin, UK: Carysfort Press, pp. 229-244. ISBN 9780813214597.

    Walsh, Fintan (2006) The law of the father, and of the son, and of the evil queer: (en)gendering violence in 'The Passion of the Christ'. In: UNSPECIFIED (ed.) Journal of Postgraduate Research. Dublin, Ireland: Trinity College Dublin, pp. 171-174. ISBN 9780955054723.

    Book

    Walsh, Fintan, ed. (2019) Theatres of contagion: transmitting Early Modern to contemporary performance. Methuen Drama Engage. London, UK: Methuen Drama. ISBN 9781350085985. (In Press)

    Walsh, Fintan (2016) Queer performance and contemporary Ireland: dissent and disorientation. Contemporary Performance InterActions. Basingstoke and New York: Palgrave Macmillan. ISBN 9781137534491. (In Press)

    Walsh, Fintan and Causey, M., eds. (2013) Performance, identity and the neo-political subject. Routledge Advances in Theatre & Performance Studies. London and New York: Routledge. ISBN 9780415509657.

    Walsh, Fintan, ed. (2013) 'That was us': contemporary Irish theatre and performance. London, UK: Oberon Books. ISBN 9781783190355.

    Walsh, Fintan (2012) Theatre and therapy. Theatre And. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230293274.

    Walsh, Fintan (2010) Male trouble: masculinity and the performance of crisis. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230579699.

    Walsh, Fintan, ed. (2010) Queer notions: new plays and performances from Ireland. Cork, Ireland: Cork University Press. ISBN 9781859184691.

    Brady, S. and Walsh, Fintan, eds. (2009) Crossroads: performance studies and Irish culture. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230219984.

    Other

    Walsh, Fintan (2010) Practicalities and possibilities: reflections on the national networking day for collaborative arts. National Development Agency for Collaborative Arts in Social and Community Contexts, Dublin, Ireland.

    This list was generated on Wed Oct 21 04:48:46 2020 BST.