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2011
Alcorn, A. and Pain, H. and Rajendran, G. and Smith, Tim J. and Lemon, O. and Porayska-Pomsta, Kaska and Foster, M.E. and Avramides, K. and Frauenberger, C. and Bernardini, S. (2011) Social communication between virtual characters and children with autism. In: Biswas, G. and Bull, S. and Kay, J. and Mitrovic, A. (eds.) Artificial Intelligence in Education. Lecture Notes in Computer Science 6738. Berlin, Germany: Springer, pp. 7-14. ISBN 9783642218682.
Brady, M. and Leal, Joanne (2011) Wim Wenders and Peter Handke: collaboration, adaptation, recomposition. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft 147. Amsterdam, The Netherlands: Rodopi. ISBN 9789042032477.
Dalzel-Job, S. and Oberlander, J. and Smith, Tim J. (2011) Contested staring: issues and the use of mutual gaze as an on-line measure of social presence. In: UNSPECIFIED (ed.) International Society for Presence Research Annual Conference – ISPR 2011. International Society for Presence Research. ISBN 9780979221743.
Friend, Stacie (2011) Fictive utterance and imagining II. Aristotelian Society Supplementary Volume 85 (1), pp. 163-180. ISSN 0309-7013.
Friend, Stacie (2011) The great beetle debate: a study in imagining with names. Philosophical Studies 153 (2), pp. 183-211. ISSN 0031-8116.
Maisey, S. and Smithen, P. and Vilaro Soler, A. and Smith, Tim J. (2011) Recovering from destruction: the conservation, reintegration and perceptual analysis of a flood-damaged painting by John Martin. In: ICOM-CC 2011 16th Triennial Conference, 19-23 Sep 2011, Lisbon, Portugal.
Owen, Louise (2011) "Identity correction": The Yes Men and acts of discursive "leverage". Performance Research 16 (2), pp. 28-36. ISSN 1352-8165.
Smith, Tim J. and Henderson, J.M. (2011) Looking back at Waldo: oculomotor inhibition of return does not prevent return fixations. Journal of Vision 11 (1), p. 3. ISSN 1534-7362.
Temple, Michael (2011) 'Cet incomparable Wilde': étude de trois scénarios de Marcel L'Herbier pour l'adaptation du 'Portrait de Dorian Gray'. 1895 : bulletin de l'Association française de recherche sur l'histoire du cinéma 64 , pp. 103-120. ISSN 0769-0959.
Temple, Michael (2011) “Cet incomparable Wilde”: étude des scénarios de Marcel L’Herbier pour l’adaptation du Portrait de Dorian Gray. 1895 revue d’histoire du cinéma 64 , pp. 102-119.
Temple, Michael (2011) Pour qu’il n’en ressortît jamais ? trois vies de Jean-Luc Godard. 1895 revue d’histoire du cinéma 64 , pp. 183-194. (Unpublished)
Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Monk, C. (eds.) Les Producteurs, enjeux créatifs, enjeux financiers. Paris, France: Éditions Nouveau Monde, pp. 27-41. ISBN 9782847366075.
Vilaro, A. and Smith, Tim J. (2011) Subtitle reading effects on visual and verbal information processing in films. Perception 40 , p. 153. ISSN 0301-0066.
17 February 2011
Mulvey, Laura (2011) Max Ophuls's auteurist adaptations. In: MacCabe, Colin and Murray, K. and Warner, R. (eds.) True to the Spirit: Film Adaptation and the Question of Fidelity. Oxford, UK: Oxford University Press, pp. 75-89. ISBN 9780195374667.
March 2011
Mital, P.K. and Smith, Tim J. and Hill, R.L. and Henderson, J.M. (2011) Clustering of gaze during dynamic scene viewing is predicted by motion. Cognitive Computation 3 (1), pp. 5-24. ISSN 1866-9956.
6 May 2011
Temple, Michael (2011) Project the legend: la représentation du producteur comme personnage dans l’histoire du cinéma. In: Creton, L. and Dehée, Y. and Layerle, S. and Moine, C. (eds.) Les producteurs: Enjeux créatifs, enjeux financiers. Paris, France: Nouveau monde, pp. 27-41. ISBN 9782847366075.
June 2011
Temple, Michael (2011) Film begets television : l'histoire audiovisuelle du cinéma. In: Bertin-Maghit, J.P. (ed.) Lorsque Clio S'empare Du Documentaire: Ecriture de l'histoire. Les Médias en actes 1. Paris, France: Editions Harmattan, pp. 75-84. ISBN 9782296550148.
14 June 2011
Cook, Matt (2011) Homes fit for homos: Joe Orton, masculinity, and the domesticated queer. In: Arnold, John H. and Brady, Sean (eds.) What is Masculinity? Historical Dynamics from Antiquity to the Contemporary World. Genders and Sexualities in History. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230278134.
30 June 2011
Temple, Michael (2011) Histoire-fiction de l’occupation nazie du Royaume-Uni dans It Happened Here. In: Lescot, D. and Veray, L. (eds.) Les mises en scène de la guerre au XXè siècle: Théâtre et cinéma. Paris, France: Editions Nouveau Monde. ISBN 9782847365764.
October 2011
Owen, Louise (2011) A response to 'Beyond Angels, Elephants, Good Intentions and Red-Nose Rebellion'. In: Beyond Angels, Elephants, Good Intentions and Red-Nose Rebellion: What is the Future for Art in the Public Realm?, June 2011, Armada House, Telephone Avenue, Bristol, UK, BS1 4BQ.
November 2011
Smith, Tim J. and Henderson, J.M. (2011) Does oculomotor inhibition of return influence fixation probability during scene search? Attention, Perception, & Psychophysics 73 (8), pp. 2384-2398. ISSN 1943-3921.
25 November 2011
Leal, Joanne (2011) The interpersonal is political: locating the ethical subject in Katharina Hacker’s "Die Habenichtse". Angermion 4 , pp. 165-182. ISSN 1438-2091.
30 November 2011
Mulvey, Laura (2011) Rear projection and the paradoxes of Hollywood realism. In: Nagib, L. and Perriam, C. and Dudrah, R. (eds.) Theorizing World Cinema. Tauris World Cinema Series. London, UK: I.B. Tauris, pp. 207-220. ISBN 9781848854925.
December 2011
Mulvey, Laura (2011) Love in two British films of the late silent period: Hindle Wakes (Maurice Elvey, 1927) and Piccadilly (E.A. Dupont, 1929). In: Labanyi, J. and Passerini, L. and Diehl, K. (eds.) Europe and Love in Cinema. Bristol, UK: Intellect Ltd., pp. 87-100. ISBN 9781841503790.