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A
Andermann, Jens and Arnold-de Simine, Silke (2012) Introduction: memory, community and the new museum. [Editorial/Introduction]
Andermann, Jens and Arnold-de Simine, Silke (2012) museums and the educational turn: history, memory, inclusivity. [Editorial/Introduction]
Arnold-de Simine, Silke (2012) Blaming the other: English translations of Benedikte Naubert’s Hermann von Unna (1788/1794). In: Cusack, A. and Murnane, B. (eds.) Popular Revenants: German Gothic and Its International Reception 1800-2000. Studies in German Literature Linguistics and Culture. Rochester, New York, USA: Camden House, pp. 60-75. ISBN 9781571135193.
Arnold-de Simine, Silke (2012) Crossdressing, remakes, and national stereotypes: the Germany-Hollywood connection. In: Ginsberg, T. and Mensch, A. (eds.) A Companion to German Cinema. Wiley, pp. 379-404. ISBN 9781405194365.
Arnold-de Simine, Silke (2012) The GDR and the memory debate. In: Saunders, A. and Pinfold, D. (eds.) Remembering and Rethinking the GDR: Multiple Perspectives and Plural Authenticities. Palgrave Macmillan Memory Studies. Basingstoke, UK: Palgrave Macmillan, pp. 19-33. ISBN 9780230360570.
Arnold-de Simine, Silke (2012) Ishøj: the suffering of others: migration, prosthetic memory and empathy in the museum. In: Migration, Memory and Place, 2012, The University of Copenhagen and ARKEN, Museum of Modern Art. (Unpublished)
Arnold-de Simine, Silke (2012) Memory museum and museum text: intermediality in Daniel Libeskind’s Jewish Museum and W.G. Sebald’s ‘Austerlitz’. Theory, Culture & Society 29 (1), pp. 14-35. ISSN 0263-2764.
Arnold-de Simine, Silke (2012) Post-nostalgia in the museum: Dennis Severs and 18 Folgate Street. In: Birkbeck Arts Week, 2012, Birkbeck, University of London, UK. (Unpublished)
Arnold-de Simine, Silke (2012) The 'moving' image: empathy and projection in the International Slavery Museum, Liverpool. In: Screen Media and Memory, 2012, The Centre for the Study of Cultural Memory, London, UK. (Unpublished)
Arnold-de Simine, Silke (2012) The 'moving' image: empathy and projection in the international slavery museum, Liverpool. Journal of Educational Media, Memory, and Society 4 (2), pp. 23-24. ISSN 2041-6938.
Arnold-de Simine, Silke and Mielke, C. (2012) Charleys Tanten und Astas Enkel: 100 jahre crossdressing in der deutschen filmkomödie (1912-2012). Trier, Germany: Wissenschaftlicher Verlag Trier. ISBN 9783868213881.
Asibong, Andrew (2012) Nouveau désordre: diabolical queerness in 1950s French cinema. In: Bauer, Heike and Cook, Matt (eds.) Queer 1950s: Rethinking Sexuality in the Postwar Years. Genders and Sexualities in History. Basingstoke, UK: Palgrave Macmillan. ISBN 9780230300699.
C
Catani, Damian (2012) Book Review: Fin de baudelaire: autopsie d'une œuvre sans nom by Jean Louis Cornille. French Studies 66 (4), pp. 569-570. ISSN 0016-1128.
Catani, Damian (2012) Modernity, evil and ethics: a Sartrean and Bataillean reading of Baudelaire’s ‘Le Jeu’. Dix-Neuf 16 (3), pp. 260-270. ISSN 14787318.
E
Ellis, M. and Lewis, Ann (2012) Introduction: Venal bodies - prostitutes and Eighteenth-Century culture. In: Lewis, Ann and Ellis, M. (eds.) Prostitution and Eighteenth-Century Culture: Sex, Commerce and Morality. The Body, Gender and Culture 7. London UK and Vermont, US: Pickering & Chatto, pp. 1-16. ISBN 9781138661509.
L
Leal, Joanne (2012) American cinema and the construction of masculinity in film in the Federal Republic after 1945. German Life and Letters 65 (1), pp. 59-72. ISSN 0016-8777.
Leal, Joanne (2012) Troubled parents, angry children: the difficult legacy of 1968 in contemporary German films. In: Mueller, G. and Skidmore, J.M. (eds.) Cinema and Social Change in Germany and Austria. Waterloo, Canada: Wilfrid Laurier University Press, pp. 115-132. ISBN 9781554582259.
Lewis, Ann (2012) Classifying the prostitute in eighteenth-century France. In: Lewis, Ann and Ellis, M. (eds.) Prostitution and Eighteenth-Century Culture: Sex, Commerce and Morality. The Body, Gender and Culture 7. London: Pickering & Chatto, pp. 17-32. ISBN 9781848931343.
Lewis, Ann (2012) 'Une tâche ineffaçable?' Rétif's representation of the prostitute in 'Le Pornographe' and 'La Paysanne pervertie'. In: Arnaud, S. and Jordheim, H. (eds.) Le Corps et ses images dans l'Europe du dix-huitième siècle/The Body and its Images in Eighteenth-Century Europe. International Eighteenth-Century Studies. Paris, France: Champion, pp. 49-71. ISBN 9782745322678.