Browse by Staff

González-López, Irene and Centeno Martin, Marcos Pablo and Armendariz-Hernandez, Alejandra (2023) Japanese documentary filmmaker Haneda Sumiko: authorship, representation and gender discourses. In: Chan, F. and Elliot, F. and Willis, A. (eds.) Women in East Asian Cinema. Gender Representations, Creative Labour and Global Histories. Edinburgh, UK: Edinburgh University Press, pp. 107-123. ISBN 9781399504928. (In Press)

Centeno Martin, Marcos Pablo (2022) The Ainu in documentary films: promiscuous iconography and the absent image. In: Desser, D. (ed.) Companion to Japanese Cinema. Wiley Blackwell Companions to National Cinemas. Wiley, 271 -293. ISBN 9781118955321.

Centeno Martin, Marcos Pablo (2021) Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book. London: The British Film Institute, Bloomsbury, 2020, 624 pp. [Book Review] (In Press)

Centeno Martin, Marcos Pablo (2021) Vacíos de la bomba atómica. El Memorial por la Paz de Hiroshima como lugar de ritual. Pasajes: Revista de pensamiento contemporáneo (62), pp. 49-70. ISSN 1575-2259.

Centeno Martin, Marcos Pablo and Raine, M., eds. (2021) Developments in the Japanese documentary mode. New Media. Basel, Switzerland: MDPI. ISBN 9783039439133.

Centeno Martin, Marcos Pablo (2021) Cine documental japonés: de los orígenes a la Guerra del Pacífico (1897-1945). In: Vilches Manterola, L. (ed.) Diccionario de Teorías Narrativas II. Sevilla, Spain: Caligrama Editorial. ISBN 9788418152160.

Centeno Martin, Marcos Pablo (2021) 1968 and rural Japan as a site of struggle. Approaches to rural landscapes in the history of Japanese documentary film. The Sixties. A Journal of History, Politics and Culture 14 (2), pp. 151-168. ISSN 1754-1328.

Centeno Martin, Marcos Pablo (2020) Vicissitudes of modern Japanese studies in Spain: review on the occasion of the Ensayos en honor del profesor Antonio Cabezas Albores de la japonología moderna en España. Reseña con motivo de los Ensayos en honor del profesor Antonio Cabezas. Estudios de Asia y África 56 (1. 174), pp. 167-185. ISSN 0185-0164.

Centeno Martin, Marcos Pablo and Raine, M. (2020) Tracing tendencies in the Japanese documentary mode. [Editorial/Introduction]

Centeno Martin, Marcos Pablo (2020) Reediting the war in Asia: Japanese newsreels in Spain (1931-1945). L'Atalante. Revista de Estudios Cinematograficos 29 , pp. 101-119. ISSN 1885-3730.

Fujii, J. and Centeno Martin, Marcos Pablo and Raine, M. and Kodaka, M. (2020) Yanagita Kunio and the culture film: discovering everydayness and creating/imagining a national community, 1935–1945. Arts 9 (2), p. 54. ISSN 2076-0752.

Centeno Martin, Marcos Pablo and Morita, N. (2020) Japan and the ‘Transnational Cinema’. [Editorial/Introduction]

Centeno Martin, Marcos Pablo (2020) Crónicas de Paisaje. Nuevas formas de subjetividad en la vanguardia documental japonesa. In: Lira, C. and Iacobelli, P. (eds.) Memoria y paisaje en el cine japonés de posguerra. Santiago de Chile: Ediciones Universidad Católica, pp. 287-314. ISBN 9789561427075.

Centeno Martin, Marcos Pablo and Raine, M., eds. (2020) Developments in Japanese documentary film. New Media. Basel, Switzerland: Multidisciplinary Digital Publishing Institute.

Centeno Martin, Marcos Pablo (2020) From Japan to Africa: transnationality in Hani Susumu’s Theory and Cinematic Experience From Japan to Africa. In: Centeno Martin, Marcos Pablo and Morita, N. (eds.) Japan beyond its Borders: Transnational Approaches to Film and Media. Tokyo, Japan: Seibunsha, pp. 119-132. ISBN 4901404326.

Centeno Martin, Marcos Pablo and Morita, N., eds. (2020) Japan beyond its borders: transnational approaches to film and media. Tokyo, Japan: Seibunsha. ISBN 4901404326.

Centeno Martin, Marcos Pablo and Morita, N. (2020) Japanese Transnational Cinema. Basel, Switzerland: MDPI. ISBN 9783039361564.

Centeno Martin, Marcos Pablo (2020) Reeditando la guerra en Asia. Noticiarios japoneses en España (1931-1945). L´Atalante. Revista de Estudios Cinematográficos (29), pp. 111-119. ISSN 1885-3730.

Centeno Martin, Marcos Pablo and Morita, N. (2020) Theorising transnational Japanese film and media. In: Centeno Martin, Marcos Pablo and Morita, N. (eds.) Japan Beyond its Borders: Transnational Approaches to Film and Media. Tokyo, Japan: Seibunsha, pp. 1-14. ISBN 4901404326.

Centeno Martin, Marcos Pablo (2019) Legacies of Hani Susumu’s Documentary School. Arts 8 (3), p. 82. ISSN 2076-0752.

Centeno Martin, Marcos Pablo (2019) Challenging eurocentric surveys: the transnational topic in film studies. Journal of Cinema and Media Studies Teaching Dossier 5 (2), pp. 1-5.

Centeno Martin, Marcos Pablo (2019) Tokyo 1958: postwar narratives through avant-garde documentary. In: Guarné,, B. and Lozano-Mendez, A. and Martínez, D.P. (eds.) Persistently Postwar: Media and the Politics of Memory in Japan. New York, U.S.: Berghahn Books. ISBN 9781785339592.

Centeno Martin, Marcos Pablo (2019) Dialectics of the Goddess in Japanese Audiovisual Culture, Lorenzo J. Torres Hortelano (ed.) (2018) Lanham, MD: Lexington Books. [Book Review]

Centeno Martin, Marcos Pablo (2018) Interrogating forms of dissidence. An approach to physical and mental escapes from Japan. [Book Review]

Centeno Martin, Marcos Pablo (2018) Comunicación visual de conflictos. La masacre de Nankín. In: Arévalo Salinas, A.I. and Vilar Sastre, G. and Al Najjar Trujillo, T. (eds.) Comunicación, Paz y Conflictos. Madrid, Spain: Dykinson. ISBN 9788491489252.

Centeno Martin, Marcos Pablo (2018) Introduction. The misleading discovery of Japanese National Cinema. Arts 7 (4), pp. 87-100. ISSN ISSN 2076-0752.

Centeno Martin, Marcos Pablo (2018) The limits of fiction in the Japanese Avant-Garde documentary. Los límites de la subjetividad en la vanguardia documental japonesa. Kokoro 27 , pp. 1-9. ISSN 2254- 8300.

Centeno Martin, Marcos Pablo (2018) Method directors. Susumu Hani and Yasujirō Ozu: a comparative approach across paradigms. In: Becker, A. (ed.) Yasujirô Ozu and the Aesthetics of his Time. Goethe-Universität Frankfurt and Darmstadt: Büchner-Verlag, pp. 125-152. ISBN 9783963171116.

Centeno Martin, Marcos Pablo (2018) The limits of fiction: politics and absent scenes in Susumu Hani’s Bad Boys (Furyōshōnen, 1960). A film re-reading through its script. Journal of Japanese and Korean Cinema 10 (1), pp. 1-15. ISSN 1756-4905.

Centeno Martin, Marcos Pablo (2018) Deceiving ‘Primitivism’. Ainu people in 1910s Travelogues. Annals of Dimitrie Cantemir Christian University: Linguistics, Literature and Methodology of Teaching 18 (1), pp. 127-144. ISSN 2065–0868.

Centeno Martin, Marcos Pablo (2018) El arte de la (re)producción. Contribución japonesa al debate sobre qué es la imagen (eizō)” -“The art of (re)production. Japanese Contribution to the debate on what is image (eizō). In: Miguel Borrás, M. (ed.) Qué es el cine? Valladolid, Spain: Ediciones Universidad de Valladolid, pp. 483-492. ISBN 9788484489825.

Centeno Martin, Marcos Pablo (2017) Gazes outside the representation: early film portrayals of the Ainu People. Orientalia Parthenopea 17 , pp. 189-210. ISSN 1972-3598.

Centeno Martin, Marcos Pablo (2017) Transnational circulation of images of the Pacific War (1941-1945): The Japanese Empire seen through Spanish newsreels. Irish Journal of Asian Studies 3 , pp. 1-17. ISSN 2009-8448..

Centeno Martin, Marcos Pablo (2017) The fight for self-representation: Ainu imaginary, ethnicity and assimilation. Aphaville: Journal of Film and Screen Media 13 , pp. 69-89. ISSN 2009-4078.

Centeno Martin, Marcos Pablo (2017) Contextualising N. G. Munro's filming of the Ainu Bear Ceremony. Japan Society Proceedings 154 , pp. 88-106. ISSN 0952-2050.

Centeno, Marcos (2016) Kore-eda’s Our Little Sister: a Return to the Japanese Classicism. [Book Review]

Centeno Martin, Marcos Pablo (2016) Transcultural corporeity in Taiyôzoku cinema: some notes on the contradictions of Japaneseness in the economic miracle. In: Adachi-Rabe, K. and Becker, A. (eds.) Körperinszenierungen im japanischen Film/Presentation of Bodies in Japanese Films. Goethe-Universität Frankfurt and Darmstadt: Büchner-Verlag, pp. 145-162. ISBN 9783941310735.

Centeno Martin, Marcos Pablo (2016) The rediscovery of the Japanese documentary cinema. The contemporary study of the unknown works of Susumu Hani in Iwanami Eiga. In: Lozano Méndez, A. (ed.) El Japón Contemporáneo. Una aproximación desde los Estudios Culturales,. Barcelona, Spain: Ed. Bellaterra, pp. 33-54. ISBN 9788472907577.

Centeno Martin, Marcos Pablo (2014) Ainu. Pathways to Memory. Universitat de Valencia, TAU.

Centeno Martin, Marcos Pablo (2014) El «otro» ainu en el cine documental japonés: del redescubrimiento de las minorías en la posguerra al recuerdo como reivindicación en Tadayoshi Himeda. Studium: Revista de humanidades (20), pp. 203-230. ISSN 1137-8417.

Centeno Martin, Marcos Pablo (2011) Views of Modern and Postmodern Tokyo: dehumanization, urban and body changes. In: Biserna, E. and Brown, P. (eds.) Cinema, Architecture, Dispositif. Pasian di Prato: Campanotto Editore, pp. 156-161. ISBN 8845612176.

Centeno, Marcos (2008) La evolución del Katsudo Shashin Benshi. L’Atalante, Revista de Estudios Cinematográficos (7), pp. 37-45. ISSN 2340-6992.