Mehra, R. and Sharma, D. and Bowye, S. (2024) Paper cuts: art, bureaucracy, and silenced histories in colonial India. [Show/Exhibition]
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Abstract
The British governed India by paper as much as by force. Reams of it circulated in the form of records, contracts, and trade receipts. Taxation and other methods of extracting wealth likewise relied on paper. Paper also created a visual record. In 1851 Scottish engineer George Turnbull arrived in India tasked with building its first long-distance railway. While there, Turnbull collected drawings and watercolours by his colleagues, creating an archive that depicts the region from the perspective of the British engineers building the railway. Paper Cuts is the first time these images have been publicly displayed. Like many colonial archives, the Turnbull Collection foregrounds the British while silencing the stories of the Indian people portrayed. How can we remember what has been forgotten? This exhibition invites two Indian artists, Ravista Mehra and Divya Sharma, to intervene through contemporary artworks. Combining past and present, we can create a more equitable future.
Metadata
Item Type: | Show/Exhibition |
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Additional Information: | Supported by the British Art Network and the British Society for the History of Science. The Turnbull Collection was acquired in 2017 by the Science Museum Group, without whose support this exhibition would not have been possible. |
Keyword(s) / Subject(s): | Exhibition, contemporary art, gallery, art, decolonial, India, railways |
School: | Birkbeck Faculties and Schools > Faculty of Humanities and Social Sciences > School of Creative Arts, Culture and Communication |
Research Centres and Institutes: | Peltz Gallery |
Depositing User: | Sarah Hall |
Date Deposited: | 02 Dec 2024 16:25 |
Last Modified: | 03 Dec 2024 06:08 |
URI: | https://eprints.bbk.ac.uk/id/eprint/54644 |
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